“Making Things Look Disconcertingly Different”: In Conversation with Declan Donnellan

Fayard, Nicole

dc.contributor.author	Fayard, Nicole
dc.date.accessioned	2021-10-19T07:57:14Z
dc.date.available	2021-10-19T07:57:14Z
dc.date.issued	2019-06-30
dc.identifier.issn	2083-8530
dc.identifier.uri	http://hdl.handle.net/11089/39416
dc.description.abstract	In this interview acclaimed director Declan Donnellan, co-founder of the company Cheek by Jowl, discusses his experience of performing Shakespeare in Europe and the attendant themes of cultural difference, language and translation. Donnellan evokes his company’s commitment to connecting with audiences globally. He keeps returning to Shakespeare, as his theatre enables the sharing of our common humanity. It allows a flesh-and-blood carnal interchange between the actors and the audience which directly affects individuals. This interchange has significant consequences in terms of translation and direction.	en
dc.language.iso	en
dc.publisher	Wydawnictwo Uniwersytetu Łódzkiego	pl
dc.relation.ispartofseries	Multicultural Shakespeare: Translation, Appropriation and Performance;34	en
dc.rights.uri	https://creativecommons.org/licenses/by-nc-nd/4.0
dc.subject	Declan Donnellan	en
dc.subject	Cheek by Jowl	en
dc.subject	Shakespeare in Europe	en
dc.subject	Translation	en
dc.subject	Direction	en
dc.subject	Archetypes	en
dc.subject	Brexit	en
dc.title	“Making Things Look Disconcertingly Different”: In Conversation with Declan Donnellan	en
dc.type	Article
dc.page.number	139-159
dc.contributor.authorAffiliation	University of Leicester, UK	en
dc.identifier.eissn	2300-7605
dc.references	Berne, Eric. Games People Play: The Psychology of Human Relationships. Harmondsworth: Penguin, 1964.	en
dc.references	Cheek by Jowl. 5 September 2017. http://www.cheekbyjowl.com/declan_donnellan.php.	en
dc.references	Derrida, Jacques. Spectres of Marx: The State of the Debt, the Work of Mourning and the New International. Trans. Peggy Kamuf. New York: Routledge, 1994.	en
dc.references	Donnellan, Declan. The Actor and The Target. 2nd ed. London: Nick Hern Books, 2005.	en
dc.references	Eisler, Anna D., Hannes Eisler and Mitsuo M. Yoshida. “Perception of Human Ecology: Cross-cultural and Gender Comparisons.” Journal of Environmental Psychology 23 (2003): 89-101.	en
dc.references	Jung, Carl Gustav. The Collected Works of C.G. Jung. Vol. 8. The Structure and Dynamics of the Psyche. 4th ed. London: Routledge & K. Paul, 1969.	en
dc.references	Rapoport, Amos. The Meaning of the Built Environment: A Nonverbal Communication Approach. London: Sage Publications, 1982.	en
dc.references	Sanderson, David. “Filming Shakespeare on Stage has a Tragic Flaw: Actors Hate It.” The Times, 16 January 2019: 3.	en
dc.references	Shakespeare, William. “Richard II.” William Shakespeare The Complete Works. Eds. Stanley Wells and Gary Taylor. Oxford: Clarendon Press, 1988. 367-395.	en
dc.contributor.authorEmail	nf11@leicester.ac.uk
dc.identifier.doi	10.18778/2083-8530.19.08
dc.relation.volume	19

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