In a century and a half of his continuous presence in India, Shakespeare has shapeshifted into manifold textual and performative “avatars,” from an agent of moral edification transforming into a subversive stick with which ...

This article justifies the addition of “Greek Plays” as a subgenre to classify Shakespeare’s works. The six plays (A Midsummer Night’s Dream, Timon of Athens, Two Noble Kinsmen, The Comedy of Errors, Pericles, Prince of ...

The English performance of Shakespeare in Hong Kong during the early colonial governance period served partly to support the cultural security of the British expatriates, and partly the edification of the locals. However, ...

As a crucial concept in critical theory, intersectionality satisfies a need within global Shakespeare reception studies. The reason for this is the way it permits cross-currents between conceptions of race and gender in ...

This article is a case study examining the Royal Shakespeare Company’s Chinese translation of Hamlet, which is part of its “Shakespeare Folio Translation Project” that was launched in 2015. Textual interpolations and ...

While there is no longer any debate about Shakespeare’s position as a global author, the rapidly expanding worldwide archive of the versioning of his works continues to pose a critical challenge. Questions like how far and ...