| dc.contributor.author | Minogue, Megan W. | |
| dc.date.accessioned | 2015-05-25T12:34:27Z | |
| dc.date.available | 2015-05-25T12:34:27Z | |
| dc.date.issued | 2014 | |
| dc.identifier.issn | 1505-9057 | |
| dc.identifier.uri | http://hdl.handle.net/11089/9106 | |
| dc.description.abstract | While the momentous Good Friday Agreement of 1998 was welcomed by many, others firmly said ‘No’, perhaps none more adamantly than the men and women involved in Loyalist paramilitary organizations. As Gary Mitchell depicts in his plays As the Beast Sleeps and Trust, the traditional roles of the UDA and other Loyalist paramilitary organizations were forced to undergo abrupt changes in the wake of modern promises of peace and prosperity. As politics become more predominant, the foot soldiers of the past were forced to make a choice as to whether or not they would continue the armed struggle or give way to the terms of the Agreement. The clash between the armalite and the ballot box, Mitchell suggests in these plays, has not yet been settled. | en |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
| dc.relation.ispartofseries | Acta Universitatis Lodziensis. Folia Litteraria Polonica;2 | |
| dc.subject | Irish drama | pl_PL |
| dc.subject | Northern Ireland | pl_PL |
| dc.subject | Garry Mitchell | pl_PL |
| dc.subject | The Troubles | pl_PL |
| dc.title | Porzucając przemoc: lojaliści wobec Porozumienia Wielkopiątkowego w dramatach Gary Mitchella | pl_PL |
| dc.title.alternative | Forcing Change: The Challenges of Loyalist Paramilitaries in the Post-Good Friday Agreement Drama of Gary Mitchell | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | [125]-137 | pl_PL |
| dc.contributor.authorAffiliation | Queens University Belfast, English Department, University Road, BT7 1NN, Belfast. | pl_PL |
| dc.contributor.authorBiographicalnote | Megan W. Minogue uzyskała tytuł doktora na Uniwerytecie Queen’s w Belfaście na podstawie rozprawy Performing Protestantism: Representations of Protestant, Unionist, and Loyalist Identities in Selected Northern Irish Drama. Obecnie zajmuje się problematyką genderową w literaturze irlandzkiej od dziewiętnastego wieku do współczesności, kobiecym pisarstwem w Irlandii oraz problematyką tożsamości narodowej w Wielkiej Brytanii i Irlandii. | pl_PL |
| dc.references | Bruce S., The Edge of Union: The Ulster Loyalist Political Vision, Oxford University Press, Oxford 1994. | pl_PL |
| dc.references | Harvie J., Staging the UK, Manchester University Press, Manchester 2005. | pl_PL |
| dc.references | Kennedy-Pipe C., From war to peace in Northern Ireland, [w:] A farewell to arms? From ‘long war’ to long peace in Northern Ireland, red. M. Cox, A. Guelke, F. Stephen, Manchester University Press, Manchester 2000, s. 24–38. | pl_PL |
| dc.references | Meredith F., A man of loyalty and principles, „The Irish Times” 5.05.2009, http://www.irishtimes.com/newspaper/weekend/2009/0502/1224245817533.html [dostęp: 13.04.2011]. | pl_PL |
| dc.references | Mitchell G., As the Beast Sleeps, Nick Hern Books, London 2001. | pl_PL |
| dc.references | Mitchell G., As the Beast Sleeps, reż. Harry Bradbeer, BBC 2002. | pl_PL |
| dc.references | Mitchell G., Trust, Nick Hern Books, London 1999. | pl_PL |
| dc.references | Russell R.R., „Loyal to the Truth”: Gary Mitchell’s Aesthetic Loyalism in „As the Beast Sleeps” and „The Force of Change”, „Modern Drama” 2005, nr 48.1, s. 186–201. | pl_PL |
| dc.references | Ruxton S., Men, Masculinities, and Poverty in the UK, Oxfam Professional Oxford 2002. | pl_PL |
| dc.references | Sierz A., In-Yer-Face Theatre: British Drama Today, Faber and Faber, London 2001. | pl_PL |
| dc.contributor.authorEmail | mminogue02@qub.ac.uk | pl_PL |
| dc.relation.volume | 24 | |
