• Tadeusz Nowak: „przez kolędę” (wyobraźnia) 

  Jarzyna, Anita (Primum Verbum, 2012)

  The article shows the importance of a Christmas carol in the poetic imagination of Tadeusz Nowak. First of all is the presence of a word carol itself, especially because many poems, titled carol are not even connected ...

• Muzyczne wyzwolenie z języka? Filozoficzne aspekty muzycznych inspiracji w poezji Mirona Białoszewskiego 

  Bochyńska, Agata (Primum Verbum, 2012)

  Miron Bialoszewski is known for his untypical and idiosyncratic language of his poetry, as well as prose and drama that he has created. However, it is possible to find many connections between those linguistic experiments ...

• Brahms i Rachmaninow Iwaszkiewicza 

  Tenczyńska, Anna (Primum Verbum, 2012)

  The poetry of Jarosław Iwaszkiewicz includes various - and unique in the 20th century Polish literature – references to actual musical compositions. Johannes Brahms and Sergei Rachmaninoff are among the composers, whose ...

• Franz Liszt i jego muzyka fortepianowa w ujęciu Jarosława Iwaszkiewicza oraz Pawła Kubisza 

  Gamrat, Małgorzata (Primum Verbum, 2012)

  Franz Liszt is one of the greatest artists of the 19th century. He has attended the most important artistic and social events providing comments on their literature and musical aspects. In his articles published in ...

• Muzyka i gruźlica 

  Ładoń, Monika (Primum Verbum, 2012)

  The article is an attempt at interpreting two Jarosław Iwaszkiewicz’s texts: Brzezina and Sława i chwała. The authoress examines the presence in texts by Jarosław Iwaszkiewicz two interrelated elements: tuberculosis and ...

• Gurami mozaikowy dyryguje Beethovenem. Oniryczny panfikcjonalizm Scen łóżkowych Adama Wiedemanna 

  Lemann, Natalia (Primum Verbum, 2012)

  The paper discusses musicality of Sceny łóżkowe (Bedtime scenes) by Adam Wiedemann understood as the constructive and topical dominant of the book. The writer’s ‘dream diary’ (including a ‘testimonio’ notation of dreams ...

• Poezja konkretna i muzyka 

  Pietruszewska-Kobiela, Grażyna (Primum Verbum, 2012)

  The article shows the functioning of concrete poetry in the sphere dominated by technological solutions, being characteristic of the culture associated with new media. Subjected to analysis and interpretation is the ...

• Danse moriendi. O muzyczno-tanatologicznych aspektach późnej twórczości lirycznej Jarosława Marka Rymkiewicza 

  Dembińska-Pawelec, Joanna (Primum Verbum, 2012)

  The sketch shows relations of the late poetry of Jarosław Marek Rymkiewicz with a music and the topic of death. Poet articulates a belief that transverbal property of music deepens and extends the ability of poetry to ...

• Związki literatury i muzyki w utworach pisarzy cieszyńskich Henryka Jasiczka, Adolfa Dostala i Jana Pyszki 

  Martinek, Libor (Primum Verbum, 2012)

  In our text, we start to imagine three Polish literary authors from Czech Těšín Silesia (Henryk Jasiczek, Adolf Dostal and Jan Pyszko) from the standpoint of the relationship of literature and music. These poets have ...

• Muzyka ocalona, muzyka ocalająca. O Traktacie o łuskaniu fasoli Wiesława Myśliwskiego 

  Czyżak, Agnieszka (Primum Verbum, 2012)

  Article focuses on interpretation of the last novel written by Wiesław Myśliwski Traktat o łuskaniu fasoli. The author presents biography of hero — musician and homo viator. Novel describes his life and its connections ...

• Dynamika jako element muzyki w poezji XX wieku (na przykładzie wybranych wierszy Stanisława Barańczaka) 

  Cudzich-Budniak, Katarzyna (Primum Verbum, 2012)

  My text is treating about the dynamics as an element of music, which is possible to be found also in the poetic texts. It’s the new and creative theory, so all examples are very subjective and their meaning is understood ...

• „Nowa muzyczność”? Fonostylistyka awangardowa i jej współczesne kontynuacje 

  Śniecikowska, Beata (Primum Verbum, 2012)

  The article presents detailed analyses of the irregular sound organisation of the two wings of Polish interwar avant-garde poetry: futurism and the constructivist group Awangarda Krakowska. The starting point of the ...

• „Pokrzywione bemole” — o inspiracjach muzycznych w twórczości poetyckiej Brunona Jasieńskiego (jak również o autorach, dla których twórczość ta stała się muzyczną inspiracją) słów kilka 

  Jaworski, Krzysztof (Primum Verbum, 2012)

  The article describes the importance of public performance for the image of the Futurists, mainly of Bruno Jasieński. The impressions that the artists gained from Helena Buczyńska’s ‘word-arts’ performance, and Scriabin’s ...

• Muzyka w dramatach Tadeusza Micińskiego 

  Nowak, Iwona (Primum Verbum, 2012)

  The article presents a wealth of musical phenomena in Tadeusz Miciński’s dramas. It attempts to characterize and systematize them on basis of such pieces as Kniaź Patiomkin, Noc rabinowa, W mrokach złotego pałacu, czyli ...

• Jesienny deszcz — jesienny płacz. Między muzyką a poezją (Verlaine i Staff) 

  Sokołowicz, Małgorzata (Primum Verbum, 2012)

  At its beginnings poetry was always connected with music. In Ancient Greece poetry was not only sung, but also danced. Later, the arts separated. However, in Romanticism music became once more a very important notion for ...

• Pieśni Mieczysława Karłowicza do słów Kazimierza Przerwy-Tetmajera w świetle poglądów XIX-wiecznych teoretyków muzyki na muzyczność języka polskiego 

  Dzidowska, Joanna (Wydawnictwo Uniwersytetu Łódzkiego, 2012)

  The first part of the article is devoted to the analysis of the 19th-century Polish music theory whose main focus was to study the relationship between text and music in vocal composition, especially from the perspective ...

• Poszerzanie pola słyszenia 

  Lachman, Magdalena; Wiśniewski, Jerzy (Wydawnictwo Uniwersytetu Łódzkiego, 2012)

• Estrada i liryka. Szlagier w poezji międzywojennej 

  Łuszczykiewicz, Piotr (Primum Verbum, 2012)

  In the essay the author enquires into the references to popular song in the lyric poetry of the first decades of 20th century, treating the birth of the popular music as the beginning of perceiving a hit single as the ...

• Amuzja Witkacego 

  Bocheński, Tomasz (Primum Verbum, 2012)

  Witkacy suffered from amusia as a child and as an adult person. He was seriously interested in music only for little longer than twenty years (1890-1914?). He wrote his main works as amusic. The relation between amusia ...

• Muzyczna nowoczesność. O Pamiętniku Tadeusza Jaroszyńskiego 

  Koczkodaj, Izabela (Primum Verbum, 2012)

  The article is devoted to analyzing the vision of Modernity and modern life in Tadeusz Jaroszyński’s short story The Gramophone. The fear of gramophone is an obsession of the main character of the text; it also serves ...

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