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| Welcome to the University of Lodz Repository! We collect and share the output of research and teaching employees of the University of Lodz. Resources deposited in the Repository – publications, research data – are given a permanent identifier (handle). Our platform, based on DSpace, provides access to open scientific resources, as well as integration with other sources of scientific information, including linking an author account to an ORCID ID. |
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| The University of Lodz Repository operates as an institutional repository based on Regulation No. 51 of the Rector of the University of Lodz of 31 March 2015. | |
| For matters related to depositing documents, | |
| please contact the Repository team – e-mail: repozytorium@lib.uni.lodz.pl | |
| Aleksandra Brzozowska | |
| Lidia Mikołajuk | |
| Joanna Mróz | |
| Anna Zatora | |
| Marta Gołuchowska | |
| University of Lodz Library, room 109, 1st floor. | |
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Ceraneum [15]
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Book Reviews
(Wydawnictwo Uniwersytetu Łódzkiego, 2024-09-18) -
Theatre Reviews
(Wydawnictwo Uniwersytetu Łódzkiego, 2024-09-18) -
Exploring the Visual and Performative Appropriation of Shakespeare in Pakistani Theatres
(Wydawnictwo Uniwersytetu Łódzkiego, 2024-09-18)This research paper examines the experimental nature of appropriation focusing on The National Academy of Performing Arts (NAPA) renditions of Shakespeare’s Hamlet (1603) and Richard III (1597). It investigates how these ... -
The Cultural Paradox of All-Male Performance: (Dis)Figuring the Third Beauty in the Studio Life’s Twelfth Night
(Wydawnictwo Uniwersytetu Łódzkiego, 2024-09-18)The aim of this article is to explore the ambiguous and unstable boundaries of gender images depicted in Studio Life’s Twelfth Night (2011) where male actors perform female characters similar to the practice on the ... -
Reclaiming Cross-Dressing: Masculinity Construction in the All-Female Yue Opera’s Shakespearean Adaptations
(Wydawnictwo Uniwersytetu Łódzkiego, 2024-09-18)Because it offers the stage such scope for polyerotic interpretation, crossdressing has held an irresistible appeal to theatre practitioners across times and cultures, including Shakespeare in early modern England. The ...